Category Archives: News

Schiller In Greece

After his current European album, Sehnsucht, went straight to number one on the Greek album charts, Schiller performed at the Greek Video Music Awards in Athens. Christopher performed the song “Destiny” together with Greek superstar Despina Vandi. In addition to that, “Let Me Love You” featuring Kim Sanders was played during the show. You can watch both performances on – www.schiller-tv.com

The Heys Featured on Mixtape 4 Melfi Blog

Here’s what they had to say…

British band The Heys have self recorded a debut album of indie pop titled Young Bored & Broke. There’s a sharpness to this band that makes them stand out. The melodies are great. The lyrics are clever: “I wasn’t making eyes at your forteenth pint”. The tempo of the album stays high and focused but with enough variation to keep the listener interested. Think some ground between The Kooks and Oasis. Their influences consist of The Who, The Kinks, The Jam, and The Stones. I’d recommend you check out the tunes below and then lear at their MySpace to find out where you can find the band live!

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The Heys Featured On Perfect Porridge

A short and quick review of the new Heys album “youngbored&broke” has been posted on perfectporridge.com. Here’s the link.

Schiller Website Redesigned

After many weeks offline, Schiller’s website at www.schillermusic.com has returned with a brand new redesign. Check it out.

The Heys CD Reviewed On Aiding & Abetting

Here’s what they had to say…

Yes, the whole garage thing played out a long time ago. A long time ago in “fad years,” anyway. But there’s something about music played with immediacy and attitude that just doesn’t go out of style.

Being British, the Heys sharpen the garage sound to a fine edge and then provide one hell of a shave. These are songs stripped down to their barest elements: power, melody and electricity.

Oh, and they’re good. The Heys know how to kick out the hooks, and more importantly, these songs are decadent examples of exceptional rhythmic grooves. In other words, shaking your ass is required.

Not the next coming of anything in particular, but awfully tight and refined in such a way as to maximize the pleasure. Just in time for summer.

Link to the original review

The Heys Featured On Stranded In Stereo

Here’s what they had to say…

The Heys’ debut release, Young, Bored & Broke, has a title that’s a tad misleading. One would think that this album is immaturely fuelled with righteous indignation, that the music transmits a lackadaisical vibe, and, finally, that The Heys are a bunch of martyred, starving musicians. I can’t really vouch for the third implication, not personally knowing these blokes, but judging by the albums’ well-constructed tunes and worldly persona, Young Bored & Broke is far from being “young” and “boring.”

From the digs at instant-gratification-inspired society in the driving “Elbow Culture,” to the Paul Weller-esque, jangly coolness of “Brighten Up My Day,” The Heys present a clean, calculated album. The band hugs its classic rock influences, mainly The Jam and The Kinks, but not too tightly, making the sound inspired but clearly personal. Overall, the album plays with snappy guitar riffs – particularly on the aforementioned “Culture” – thick, resonant basslines and syrupy, accented vocals that fortunately refrain from being at all sweet or too dreary. This album certainly presents an upbeat vibe that’s sure to keep the hipsters’ heads disdainfully nodding.

The main appeal of Young Bored & Broke comes from the fact that The Heys transmit a solid rock and roll energy without acting unbridled and, well, spazzed out and uncouth. There’s something inherently natural about their tunes, which gives the album a compelling sense of order and musicianship; it’s hard to believe this is their first release. “Friday Night” nods to Hard Fi’s tunes, but the guitars are clearer, the production and playing tighter; the overall track is driving, exciting and youthful with great intermittent background harmonies and utterly danceable, dusty riffs.

Young Bored & Broke’s title track is certainly the best on the album. The anthemic tune kicks you right in the teeth with a retro-like driven riff and energized, yet even pace. This homage to crazy nights out and the subsequent evil hangover is far from sonically insane, and singer “Tom’s” suavely accented vocals arch defiantly over the forceful guitars. With cool, matter of fact charm, he throws the chorus right back at the listener without being obnoxious, preachy, or just plain immature. And that seems to squarely describe The Heys; their album title may proclaim youthful heedlessness, but the band present smart, well-composed tunes that more than illustrate their mature musicianship. In other words, don’t judge an album but it’s, uh, title.

Link to original article

The Heys Featured On RockSellout

Here’s what they have to say…

It seems I’ve unintentionally started a movement for The Heys here in Tampa. It began, as most music related things do, with me sending friends links to MySpace pages of bands I like. Usually this results in a response of “Yeah, pretty cool!” or something equivalent. The Heys, however, have led to further follow-up emails along the lines of “I can’t stop listening to these guys!” It seemed only reasonable then that we work with our friends at Planetary Group to get a copy of their debut album Youngbored&broke into the hands of two lucky RockSellout readers!

Even a quick minute with their new album Youngbored&broke will tell you why people are falling in love – The Heys produce Mod-Northern Soul-R&B-Rock with such seeming ease you’d think the guys were born from Paul Weller and Ray Davie’s shared pint at a Gloria Jones show. It’s not timeless in the sense it conjures a specific sound, but it is timeless in the sense it resists a dated sound – this is a fresh take for young Mods looking to let those scratchy old LPs have a breather. And one day Youngbored&broke will sit beside those beloved records, pulled out and played as a testament that good music can harken to a specific sound and a specific time yet still remain fresh for decades afterwards.

With all this in mind, we took the opportunity to ask The Heys a couple questions – some serious, some less so. Find out about the only job worth getting up for, breakfast at Burger King, and what to ask when having a pint with Paul Weller after the jump. And if you’re up for getting a free copy of The Heys Youngbored&broke, then find out what you need to do after the interview!

Part I: We Get Serious:

Keath: How would you describe The Heys to new listeners?

The Heys: Er…That’s hard when you are in it. Try: songs, guitars, voices, beat, honest, direct, uncomplicated, toe-tap, tunes.

Keath: Being in a band: harder than you thought or best job in the world?

The Heys: It’s the only job in the world worth getting up for. Being in a band is the best. It’s the only way of life.

Keath: What was the recording process like? A long slog or quick takes?

The Heys: Definitely quick takes. Doing it over and over again in the studio just sucks the life out of the thing. We rehearsed like fuck and were pretty ruthless with the bits. Then just recorded the vibe.

Keath: Which track off the new album is the most fun to play live?

The Heys: We’ve all got our favourites. And it depends on the night and the mood. Pressure is like riding a motorbike, Scene sums it all up, Elbow Culture is hairs on the back of the neck …

Keath: What is your favorite part of the process – writing, recording, or performing?

The Heys: That’s a hard one too. Without live stuff what’s the point? That’s where you can give it and get it. That’s where you start, its where you buzz. Its immediate. But then without the writing there isn’t any live. And its really mental when you get a new tune. When you have something on your mind you just have to find a way to say it. Or a tune going round and round in your head driving you nuts and you have to try and catch it with your antennae. We used to record in professional studios but it only lead to great expense and disappointment. So we built our own set up in a small cellar with our ‘puter and started having a laugh with it. We wanted to make the best album we could, that sounded like us in surroundings we felt comfortable in. So I guess it depends what your doing at the time ‘cause that’ll be your favourite.

Keath: You’re already doing shows in the UK – will there be a North America tour for the new album too?

The Heys: We really wanna come and play!

Keath: The lyrics are fabulous – snapshots of working class life. Do they spark the music or the other way around?

The Heys: No rules it just depends, sometimes its both. When you get a good tune there doesn’t seem any point wasting the lyrics. But at the same time they have to work and not fuck up the tune. We are not trying to preach or convert. We’re a band. If people wanna think about it then cool, but it still has to be a song. We’re just saying what we see.

Part II: We Get Less Than Serious:

Keath: Would you rather have a pint with Pete Townshend or Paul Weller? Bonus – I’ll buy the round if you tell us the one question you’d most like to ask the one you picked.

The Heys: That’s easy – Paul Weller! Alright Townsend’s in The Who, but he is a bit of a cock. Paul, “That’s a nice shirt, where did you get that from? Its your round”

Keath: Keith Richards – still the coolest man in rock or now just an old geezer wearing scarves with skulls on them?

The Heys: He’s Keith Fookin Richards! He’s in the Rolling Stones! He’s the real deal. The genuine article.

Keath: I never eat at Burger King – do they have a good breakfast? (Note: if you don’t understand this question, listen to the track “Youngbored&broke” at their MySpace page)

The Heys: Too right!

Keath: What’s the one question I should have asked but didn’t?

The Heys: “that’s a nice shirt, where did you get that from? Its my round”

MP3: The Heys – [listen] Pressure

MP3: The Heys – [listen] Fridaynight

Like what you hear? Want a free copy of Youngbored&broke? We’re picking two lucky winners – all you have to do is tell us what question you’d ask The Heys over a pint. Wednesday, we at RockSellout will pick our two favorites from the entries. You don’t have to be super clever or witty, just let us know what you’d like to find out. Good luck!

- Keath (MySpace)

The Heys CD Reviewed On The Fire Note

Fire Note Says: The Heys give a lesson in rock straight from the UK on YoungBored&Broke!

Album Review:

From the kickstart guitar revving on the opening track “Friday Night” to the sing along mid tempo closer “Take It Easy”, The Heys lay it all out on the table for the full forty-six minutes on their debut record YoungBored&Broke. The concept of the band was actually conceived back in 2004 by singer/songwriter Tom Flynn. But after spending some time looking for the best people to be in the band and trying various line-ups, Flynn finally found what he was looking for within his circle of musician friends at the local pub and then poof – The Heys were formed. To avoid the pitfalls of expensive recordings and the possibility that they could sound terrible the band built their own basement studio which is a decision that shines through on each pounding track. It is this raw energy that makes YoungBored&Broke so appealing and The Heys “rough around the edges” vibe that makes every hand clap more lively, every melody ring truer and the need to see this band in a packed club seem dire. With a fresh spirit like the Arctic Monkeys and the artistic style of The Jam, The Heys have created a fantastic debut that rocks timelessly and hums off into the night, leaving the listener with only one thing to do – hit repeat!

Link to original review.

Tom From The Heys Interviewed On Chicks With Guns

CWG: The BBC and BBC Radio 1 are institutions. How did it feel to be played on Radio 1?

It’s just good to be noticed.

CWG: How does the internet help in getting a band noticed?

You can show what you’re about to millions of people. You get to meet cool people. Everyone can see when you are playing, what you are doing, what you are thinking. We can get round the world in a split second.

If people like you, they can download your music. It means you are free to take control of what you are doing. It means you can do it yourself. It gives mass, direct communication

CWG: What do you recommend for other bands trying to go that route?

Just keep doing it. Spread the love.

CWG: You said that the film Quadraphenia is the film that sums it all up; why is it? Are you a big Who fan?

Well yeah but that ain’t the thing.

Its about the people, their aspirations, their love of the music. Its familiar. You can relate to it

CWG: While you were going through various line-ups, did the goal of making good music seem out of sight?

No. That was the point.

CWG: What is the difference between you and your alter-ego Tweed? Is there a personality change?

Totally different headspace. One records music, ones in a band. Same body.
Tweed is calm, Tom isn’t.

CWG: Can you describe the freedom of recording in your own studio away from the industry?

Basically you are in your own little bubble. Its all about the music. And because everything is familiar and relaxed you can let go.

You almost record by accident. It’s uncomplicated.

CWG:
What are your plans in breaking into the American market and achieving further success?
We really want to come and play. We want to let people feel it for real. We want to see America. We also wanna sort out some dates when there’s people who want to see us.

The Beatles said they wouldn’t come to America until they had a number 1 record. We ain’t that strict. But the principle is the same. The music has always led the way.

Link to original interview.

The Heys CD Reviewed On Berkeley Place

And they said…

When you listen to The Heys, you’re gonna hear Arctic Monkeys. And, just like when you listen to Arctic Monkeys, you’ll hear The Kinks. It’s a British four-man rock band, making songs 3-4 minutes long about love, alcohol, and regret (and occasionally about left-wing politics), featuring power chords and hooks.

Not that there’s anything wrong with that.

“Young, Bored & Broke” is a fun, muscular, self-produced record by a young band full of energy and attitude.

Link to the original review.